Creativity

The "Sweetness" of Commercial Photography

It’s funny how a variety of work within our profession can either keep us enthused, make us feel bored, or in some cases inspire us like crazy. During this shoot for a local bakery/restaurant, I had an almost childlike energy as we were trying to really do this job well but did not have the luxury of time to stretch it out and make big styling changes on each different product. The baker from the restaurant was on set as well as the owner, as well as the world’s best food stylist, food photographer extraordinaire, Joe Glyda.

One of the lessons I have learned and have been teaching for many years is the ease of lighting I use for many different types of tabletop product shots. By simply lowering a medium or large softbox down and low directly over the products AND slightly behind the products, the soft shadows come forward towards the camera. Also, the highlights tend to do a great job on the edges of your subjects and will often be all of the lighting you need.

Of course, there will be times when you want to amplify the set by lighting a background separately from the table surface and the product. But overall, get used to working close with your lights and watch for opportunities to create this kind of work for a variety of subjects.

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The Importance of Light AND Shadow

The Importance of Light AND Shadow

SHADOWS... There! I said it. There simply is not much emphasis out there on that crazy ol' shadow these days. Probably because light is more fun to talk about and more easily identified as a primary controller of the mood and style of a photograph. But the shadow is the exact and opposite reaction to the light. So, it might make sense to at least add it to the discussion.

The Studio Environment - The PROS and CONS

The Studio Environment - The PROS and CONS

Over the past 40 years or so that I have been involved in professional photography, I have watched this pendulum swing back and forth more than once. And it changed back again a few years ago away from the studio. However, it would seem that this just might be the ideal time to find a way to stand out from the crowd. To do what all successful photographers have done over the years. Be the standout. Be the one photographer in your community doing something different than everyone else and offering clients the opportunity to feel confident that professionalism within our little industry, does exist.

Look For The Second Picture And The Third

Look For The Second Picture And The Third

Over the years I have learned that the most successful photographers working will often look to see what else is there and really work the scene to see if there is another picture behind the picture. In other words, find another picture, possibly two more pictures, while you are in the same scenario with the same subject. Don’t stop just because you think you have it.

Faded Memories and a Free Workshop

In 1944 someone stood behind a camera in Evergreen, Louisiana and captured a photograph of two military men home on leave. One, Lieutenant John Hollingshead (left), and the other, Sargent Robert Hull (right), my father. That image helped tell the story of two army buddies coping with the war.

A faded memory of my fathers past.

This faded photograph is quite unusual because there was a caption written on the back. We know it was taken in 1944 and that they were in Louisiana on training maneuvers. We also know that they were at Lt. Hollingshead’s family home. Beyond that, very little is known about this photograph. But unlike most of the photos in our family collection, this one had a caption.

This was the text that we found on the back of the original photograph. 

This was the text that we found on the back of the original photograph. 

My father died in 1986 at the age of 62. He was the same age that I am today. He died a very young man and with him the stories of his life, including the story illustrated by this photograph.

Inevitably, time marches on and the memories of the past fade. In 1944, relatively few photographs were taken and often those memories fit inside a shoe box. Today, the volume of photographs taken each day has increased exponentially. Whereas the older photos lack a story, today’s photographs get lost in the sheer volume of data that inundate our lives.

Many very learned people are suggesting that today’s digital generation will be the first generation in the last century that may end up with no photographs of their immediate family history. When they become parents and grandparents, they will not be able to find any photographs of themselves as children. Instead, these images will be lost.

In the coming weeks, we’ll be celebrating holidays with our families. Take some time to sit down and talk about some of your family photos. Select those that have a story to tell. Ask your grandparents or parents about the photos and listen to their stories. It’s amazing the things you can learn about your own family history.

Be sure to write down what you hear. Include the names of those in the images and try and zero in on a date and location for each. Software today, like Adobe Lightroom, let’s you enter titles and captions to your photographs. Add that information. But, more importantly, print some of these photographs and create a family album or a wall display of family photos.

Such a thoughtful gift - in a far different day and age. There is definitely a story here.

Such a thoughtful gift - in a far different day and age. There is definitely a story here.

Holiday Challenge

We’d love it if you would share some of your discoveries with us. Share meaningful family photographs that you’ve found and tell us some of the stories behind the photo. So, here’s the challenge. Take time over the holidays to discover new old family photos and interview someone to learn more of the story. Then, share the photo and story with us.

Share on Social Media

Share on Facebook or Instagram and tag @corbellworkshops - include #fadedmemories

In Twitter, tag us @corbellworkshop and include the hashtag #fadedmemories. (In Twitter there is no “s” on the end of the user id. Just not enough space.)

Win A Free Workshop!

At the end of the holidays, we will select one of the #fadedmemories images posted on social media and that person will receive free admission to our Mastering Portrait Lighting workshop - a $595 value. Visit our website for more information about the workshop.

Goals for the Emerging Professional Photographer

Goals for the Emerging Professional Photographer

Funny thing about our wonderful craft of photography. Once you begin mastering the camera and light techniques, along with a strong dose of composition and creating impact, you have to find a way to determine your future use of this craft. What do you want to do with this knowledge and your photographic ability? 

Community Photo Challenge-Shooting "Your Home Town"

Community Photo Challenge-Shooting "Your Home Town"

This is the kind of shoot that does not require you to speak. With this kind of work you seek and hunt for images. You don't pose, you don't move them into position. You go find pictures that tell a story. You have to set the stage. You record what is taking place.

Put Down Your Camera

Put Down Your Camera

For many people, a funny thing happens when they put down their big fancy rig and, instead, use their simple camera phone. When you're not worried about all the settings, your brain instead turns to more artistic endeavors. You essentially can become more creative once you are freed from the shackles of all those settings, buttons and switches. 

Self Assignment

Self Assignment

Take any good photography class and chances are the teacher will give you an assignment. These assignments can take many forms, some help you master camera operation or photographic techniques while some of the most valuable assignments involve expanding your creative skills. It’s the creative assignments that can really stretch you as a photographer and teach you to see the creative possibilities in the world around you.